quarta-feira, 12 de novembro de 2014

John Parker Compton - Live At The Turk's Head Coffeehouse (re-post)


















John Parker Compton - Live At The Turk's Head Coffeehouse - 2006

Singer, songwriter, and guitarist John Parker Compton co-founded the acoustic band Appaloosa with violinist Robin Batteau in the late '60s. Both musicians had been heavily influenced by the folk scene in their hometown, Cambridge, MA. Compton got his start singing in a Cambridge church choir before he and Batteau began playing the coffeehouse circuit together.

As the 1972 press release for Compton's solo album, To Luna, tells it, John Compton showed up at producer Al Kooper's Columbia Records office in late 1968, hoping to show Kooper his songs. Uninterested, Kooper told the kid (Compton was 18) to come back some other time. But a little while later, Kooper came in on Compton and Batteau performing for the office secretaries. Won over, Kooper recorded their demo, and within a year the newly signed musicians had an album out, the self-titled debut from their group Appaloosa. Also including bassist David Reiser and cellist Eugene Rosov, Appaloosa was joined in the studios by members of Blood, Sweat & Tears, and by Kooper himself.

A year after Appaloosa's 1969 release (which was produced by Al Kooper) on Columbia Records, a 19-year-old John Compton got to take the stage at Fillmore East the last weekend of December, along with the Allman Brothers, and Blood, Sweat, and Tears. Appaloosa soon gave way to a duo project of Compton & Batteau, and the two musicians recorded Compton & Batteau in California for Columbia. By 1971, Compton was on his own with a new LP, To Luna, but after this, it would be over 20 years before he returned to the studios. His return was marked by 1995's Mother of Mercy,

01. Pascal's Paradox
02. Glossolalia
03. Now That I Want You
04. Feathers
05. Green Brown Sound
06. Subway
07. Rosalie
08. We Can't Forget
09. Green Brown Sound No.2
10. Lifetimes in Nesinex
11. Rivers Run to the Sea
12. Lacsedo-Lacsede
13. Loving Her Makes Today
14. Downtown Row
15. Rosalie #2

John Parker Compton - Acoustic Guitar, Vocal
Robin Batteau - Violin



+@192

sábado, 8 de novembro de 2014

The Music Machine - Rarities Vol 2 - Early Mixes & Rehearsals

The Music Machine - Rarities Vol 2 - Early Mixes & Rehearsals - 2014

The Music Machine was an American garage rock and psychedelic (sometimes referred to as garage punk) band from the late 1960s, headed by singer-songwriter Sean Bonniwell and based in Los Angeles. The band sound was often defined by fuzzy guitars and a Farfisa organ. Their original look consisted of all-black clothing, (dyed) black moptop hairstyles and a single black glove.

The group came together as The Ragamuffins in 1965, but became The Music Machine in 1966. In addition to Bonniwell, the original line-up consisted of Ron Edgar (drums), Mark Landon (guitar), Keith Olsen (bass), and Doug Rhodes (organ).

In 1967, Music Machine (essentially only Bonniwell at this point) were signed to Warner Bros. and renamed The Bonniwell Music Machine. The name was changed to give more prominence to the band's core member, songwriter and vocalist. A self-titled LP was released that year, made up mostly of previously recorded singles with the original line-up. The recording spawned no big hits, despite the inclusion of a few more pop-oriented songs.

READ MORE HERE

01. Talk Me Down (Early Version)
02. Affirmative No (Early Version)
03. Worry (Early Version)
04. Astrologically Incompatible (Early Version)
05. Something Hurting On Me (Early Version)
06. No Girl Gonna Cry (Early Version)
07. Smoke And Water (Early Version)
08. Absolutely Positive (Early Version)
09. The People In Me (Rehearsal)
10. Trouble (Rehearsal)
11. Masculine Intuition (Rehearsal)



+@192


The Music Machine - Rarities Vol 1 - Last Singles & Demos


















The Music Machine - Rarities Vol 1 - Last Singles & Demos - 2014

The Music Machine was an American garage rock and psychedelic (sometimes referred to as garage punk) band from the late 1960s, headed by singer-songwriter Sean Bonniwell and based in Los Angeles. The band sound was often defined by fuzzy guitars and a Farfisa organ. Their original look consisted of all-black clothing, (dyed) black moptop hairstyles and a single black glove.

The group came together as The Ragamuffins in 1965, but became The Music Machine in 1966. In addition to Bonniwell, the original line-up consisted of Ron Edgar (drums), Mark Landon (guitar), Keith Olsen (bass), and Doug Rhodes (organ).

Their debut album, (Turn On) The Music Machine, was released in 1966 on the Original Sound label. Seven of the twelve tracks were originals, written by Bonniwell. One of these, "Talk Talk", became a Top 20hit[1] in the U.S. The follow-up single, "The People In Me", peaked at No. 66.[citation needed] Bonniwell blamed the weak showing of this single on a supposed feud between the band's manager and a top record executive. Four cover songs were included on this release, due to record company pressure.

READ MORE HERE

01. Double Yellow Line (mono)
02. Absoltely Positively (mono)
03. The Eagle Never Hunts The Fly (mono)
04. I've Loved You (mono)
05. Worry
06. No Girl Gonna Cry
07. The Trap
08. Smoke And Water
09. Discrepancy
10. Suffering Succotash
11. Bottom Of The Soul
12. The Eagle Never Hunts The Fly
13. I've Love You



+@192

* Vol 2 coming today

sábado, 1 de novembro de 2014

Steve Marriott's Packet of Three - All Or Nothing LIVE

















  
Steve Marriott's Packet of Three - All Or Nothing LIVE - 1998

O post de hoje traz um bootleg de boa qualidade  de uma apresentação do Packet of Tree de Steve Marriot gravado em 1985 no Camden Palace Theatre, Londres. Esse boot, depois de circular por anos sob o título de simplesmente "Live in London", ganhou no final dos anos 90 o status de oficial ao ser lançado pelo selo "receiver records" e voce pode encontrá-lo no amazon pela bagatela de $ 59,99 + entrega + impostos + a grande chance do produto sumir de alguma prateleira dos Correios.

O show é bem legal e tem um set-list um pouco modificado com relação aos shows que Marriott fazia nos anos 80, trazendo "Itchycoo Park" de seus bons tempos com o Small Faces. "Watch Your Step", clássico de Bobby Parkers traz um andamento mais comportado, longe das versões mais incendiadas de sua parceria com os DT's. Já "Five Long Years", blueseira que sempre esteve em seus shows, extende-se por mais de 9 minutos e traz um dos melhores momentos da noite, com Marriott mais "blues" do que comumente se ouvia quando ao vivo.

Já chegando ao fim da noite, vem, além da clássica "All or Nothing", "This Old Fool" - de Buddy Guy - magistralmente interpretada por Jim Leverton. E, encerrando, "Natural Born Boogie", dos primórdios do Humble Pie com Leverton (que nesse show cantou mais que o usual) fazendo a parte que coube originalmente a Peter Frampton.

Ao terminar, volto ao ínicio para dizer que a primeira música desta gravação é assim  mesmo, "da metade pra frente". Portanto, não adianta reclamar pra mim que a faixa está cortada, porque ela está cortada para  este que escreve também.

01. Watch Your Step
02. This Train Stops At Memphis
03. Watcha Gonna Do About It
04. Talking' Bout You
05. What A Silly Song
06. Itchycoo Park
07. Mr. Pitiful
08. Hallelujah I Love Her So
09. Five Long Years
10. All Or Nothing
11. This Old Fool
12. Natural Born Boogie 



+@192