quarta-feira, 10 de agosto de 2022

The Undisputed Truth - The Undisputed Truth


















The Undisputed Truth - The Undisputed Truth - 1971

The Undisputed Truth – vocalists Joe Harris, Billie Rae Calvin and Brenda Joyce – are often seen as little more than a footnote in Motown’s illustrious history. They remain a name purely for the fact that they worked alongside producer and writer Norman Whitfield in his era of dominance at the label as it grew more adult-orientated and socially aware.

And there is every reason for that thought: Whitfield actually formed the group as an experiment, speculating that he could produce an act from nowhere and garner a hit record. While it is true that the producer often used the group as a test bed for material for his other major act, The Temptations, it should not be assumed The Undisputed Truth did not have their own character and not inconsiderable bite.

Although their self-titled debut album only contained one song specifically written by Whitfield for it, it is a beautiful, transitional record. There is much that would be considered traditional Motown. For example, there is the great, conventional soul of Save My Love for a Rainy Day, a cover of The Temptations. If the sweet northern soul stomper You Got the Love I Need sounds dated, it’s because it utilises a backing track originally cut in 1965.

But it was not all some ragbag of off-cuts. Something darker was at work, pointing toward the direction that the group would fully embrace over their next few albums – lengthy, mysterious workouts, with the girls’ sweet harmonies and chorus sweetening the grit of Harris’ vocal delivery. Covers of California Soul and an extended Ball of Confusion (with plenty of in-era “right on!”s), as well as Bob Dylan’s Like a Rolling Stone, underlined Whitfield’s desire to meddle with convention.

Smiling Faces Sometimes, another song cut by The Temptations, provided the trio with their biggest US hit, reaching number three on the chart. Its dense production and finger-pointing lyrics chimed perfectly with the suspicion and paranoia of the age.

Although The Undisputed Truth didn’t actually have a hit in the UK until 1977, with You + Me+ Love, they became something of a connoisseur’s choice. And this debut album, although at times tentative and flawed, hints at how they would later develop.


01. You Got the Love I Need
02. Save My Love for a Rainy Day
03. California Soul
04. Aquarius
05. Ball of Confusion
06. Smiling Faces Sometimes
07. We've Got a Way Out Love
08. Since I've Lost You
09. Ain't No Sun Since You've Been Gone
10. I Heard It Through the Grapevine
11. Like a Rolling Stone

+@320

sábado, 6 de agosto de 2022

John Hurlbut & Jorma Kaukonen - The River Flows Vol. 1 & 2 The Complete Sessions


















John Hurlbut & Jorma Kaukonen - The River Flows  Vol. 1 & 2 The Complete Sessions - 2021

The River Flows Vol. 1 & 2 / The Complete Sessions, is a CD package with 8 live tracks recorded at Kaukonen’s Quarantine Concert Series as a bonus disc.

Kaukonen is the singer-songwriter and guitarist who was a founding member of Jefferson Airplane and Hot Tuna, with whom he continues to perform with bassist Jack Casady. The River Flows was produced by Justin Guip, three-time Grammy winner and Hot Tuna drummer.

Guitarist John Hurlbut belatedly found a new audience for his music when he happened to start making music with one of his heroes. A fan of vintage psychedelic rock and acoustic roots music, the Ohio-based picker had been playing for decades when his visibility took off, thanks to his work with former Jefferson Airplane guitarist and Hot Tuna founder Jorma Kaukonen. Playing rhythm to Kaukonen's leads, Hurlbut's style is straightforward but expressive, charting clean melodic lines for Kaukonen to embellish, and his warm, slightly weather-beaten vocals give life to the rock and folk standards that dominate their performances. 

01. The Ballad of Easy Rider
02. People Get Ready
03. Choices
04. Kansas City Southern
05. Across the Borderline
06. Travelin'
07. The Old Homestead
08. Someone's Calling
09. Knocking on Heaven's Door
10. Hickory Wind
11. A Little Faster
12. Seems Like a Long Time
13. All Along the Watchtower
14. This Land Is Your Land

Live in Spring of 2021 at Fur Peace Ranch
15. The Ballad of Easy Rider
16. People Get Ready
17. Kansas City Southern
18. The Old Homestead
19. Someone's Calling
20. Hickory Wind
21. A Little Faster
22. All Along the Watchtower

+@320

sábado, 30 de julho de 2022

VA - Song Of a Young Country (The New Zeland Story in Song)


















VA - Song Of a Young Country (The New Zeland Story in Song) - 1971 (RE 2010)

FROM www.audioculture.co.nz 
In 1971 singer, composer and folksong collector Neil Colquhoun released a concept album of songs by – or re-creating the experience of – the Pakeha pioneers of the 19th century. Among the writers were Colquhoun, Phil Garland, Rudy Sunde and many by unknown early settlers, collected in the 1960s. The multi-artist double LP on Kiwi Pacific Records received renewed attention in 2009 when it was included by Nick Bollinger in his 2009 book 100 Essential New Zealand Albums (Awa). 

The 1971 album was followed a year later by an accompanying songbook, Song of a Young Country (Reed); this was re-released in 2010, in a lavish production by Steele Roberts.

Whether sung, played, read or listened to, the songs in this influential New Zealand folksong compilation and songbook provide insight and human colour to the bare facts of our collective past.

Music and vocalising have been in fluid evolution ever since the first humans slapped a leathery foot on a hollow rock, knocked a tree with a stick and it made a pleasing sound, or mimicked the cadences of birdsong and the rutting noises of animals to attract them on a hunt.

Millennia on from then, there are multiple music styles and labels. Folk music is one of many. This has been blending, hybridising or diverging since Woody Guthrie sang about the Depression and since the folk revival of the sixties when Joan Baez, Joni Mitchell and Bob Dylan sang out in protest; when civil rights marchers chorused aching spirituals about injustice, and since Odetta or Buffy Sainte-Marie told it like it was.

The 2010 reissue of the Song of a Young Country anthology



In New Zealand, folk clubs around the country host the works, from bluegrass, American urban blues, old-time country and Celtic stylists to Euro gypsy jazz, jug bands, a cappella harmony groups and soloists playing covers and originals.

The clubs also have a solid core of traditionalists who enjoy what they consider the “real” Kiwi folk music; that is, the songs, sea shanties, old ballads and work chants sung or recited by the people at the birth of these islands as a Treaty-formalised Crown-Māori nation. They were the sailors, sealers, wives and whalers, adventurers, bushmen and the like, who sang out their joy, humour, or misery during their hard-slog work and after hours; about bully bosses and fair blokes, madams and murderers, hardships underground and weird happenings above; about social milestones, triumphs, shipwrecks and other disasters.


01. John Smith A.B
02. On Whalemen
03. Soon May The Wellerman Come
04. Blood Red Roses
05. From England
06. Little Tommy Pinkerton
07. Altered Days
08. Black Velvet Band
09. Rise Out Your Bed
10. Banks Of The Waikato
11. A Drover
12. Dug-Out In The True
13. The Mill
14. Gum Digger Letter
15. Song Of The Digger
16. Black Swans
17. As The Black Billy Boils
18. Gold Rush
19. Tuapeka Gold
20. Wakamarina
21. Murderers Rock
22. McKenzie And His Dog
23. Paheha Land-Takeover
24. Te Kooti E Ha
25. Livestock
26. Rerenga's Wool
27. On The Swag
28. My Man's Gone
29. Talking Swag
30. The Sweater Prelude
31. The Sweater
32. Run For Your Life
33. Day The Pub Burned Down
34. Union Worker
35. Cargo Workers
36. Railway Bill
37. Down In The Brunner Mine
38. Hundred & Fifty-One Days
39. Gutboard Blues


+@320

quarta-feira, 27 de julho de 2022

Fred van Zegveld - Dynamite


















Fred van Zegveld - Dynamite - 1969

Fred van Zegveld became known as the organ player of a charting Beatlesque group called Roek Williams & The Fighting Cats, though they changed their name into Roek's Family on the day Fred joined them in 1968, ready for their biggest hit Get Yourself A Ticket in '69.

1969 must have been a busy year for him, because Van Zegveld was also a member of a group called The Flood that year, together with two musicians that also played in Roek Williams's group: Richard de Bois on bass (who became a top producer ten years later, for amongst others The Dolly Dots) and Will Luikinga on sax and flute (who became a famous dj on Radio Veronica afterwards).

Van Zegveld's only solo album "Dynamite" shows his love for Booker T & The MG's, Jimmy Smith and such, though most of the tracks on it are his own compositions.

01. Family Blues
02. Here, There And Everywhere
03. Daffodil
04. Blue Organ
05. Dynamite
06. Misty
07. Whiskey
08. Round About
09. I Wanna Be Your Man

Fred van Zegveld - Hammond
Rick Beekman - Guitar
Louis de Bey - Drums
Ruud Jacobs - Bass
 


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