sexta-feira, 28 de janeiro de 2022

Mundo Livre S/A - Walking Dead Folia (Sorria, Você Teve Alta)



Mundo Livre S/A - Walking Dead Folia (Sorria, Você Teve Alta) - 2021






01 Necropolitano
02 Blue Gin e os Seres (De Vidro)
03 Melô das Musas Empoderadas da Ilha Grande
04 Fake Milho
05 Baile Infectado
06 Conselho (Do Pastor Trans para a Amante Miliciana)
07 Usura Emergencial
08 M_A_U (Magnífico Aplicativo Universal)
09 Um Pitbull Chamado Van Gogh
10 Walking Dead Ciranda (A Maldição 2)
11 Melô da Loló Estragada


+@320

segunda-feira, 24 de janeiro de 2022

Steve Gibbons Band - Street Parade


















Steve Gibbons Band -  Street Parade - 1980  (re 2020)

Steve Gibbons had been a figure on the Birmingham scene since the early 1960s and had been a frontman of the group The Uglys until they disbanded in late 1968. In 1969 Gibbons founded the group Balls with Trevor Burton and Denny Laine, but that group fell apart within 14 months before Gibbons to join the last incarnation of The Idle Race in 1971. This line-up, which also featured Dave Carroll and Bob Wilson on guitars and Bob Lamb on drums eventually evolved into The Steve Gibbons Band with the arrival of Trevor Burton on bass and vocals. Burton had been a member of The Move until 1969 and was a member of the group Balls. With this line-up in place, the band perfected their hard, driving blend of rhythm and blues and rock, touring the pub and club circuit in Britain. In 1975 they were spotted by Peter Meaden (The Who’s first manager) and were soon signed to The Who’s management stable.

Their first album, ‘Any Road Up’, featured a guest appearance from John Entwistle and was issued in 1976. The same year the band supported The Who on tour and also toured the USA supporting acts such as Little Feat, Lynyrd Skynyrd and Nils Lofgren. In 1977 the band supported Be Bop Deluxe on their UK tour and recorded the album ‘Rollin’ On’, which featured the hit single ‘Tulane’. Later that year the live album ‘Caught In The Act’ was released and sold well in Europe. This was followed in 1978 with another studio album, ‘Down In The Bunker’, produced by Tony Visconti.

01. British Rock 'N' Roll
02. New Romance
03. Give It Back
04. Abracadabra
05. Midnight Moon
06. Sonny Day And The Tropics
07. A To Z
08. Saturday Night
09. Graffiti Man
10. Fair Play
11. I'm A Man
12. Street Parade

Steve Gibbons - Vocals, Rhythm Guitar, Harmonica
Trevor Burton - Bass, Keyboards, Guitar, Vocals
Harry Rix - Drums, Vocals
Robbie Blunt - Lead Guitar, Rhythm Guitar
Bill Paul , Nick Pentelow - Saxophone



+@320

quarta-feira, 19 de janeiro de 2022

Albert Lee & Hogan's Heroes - On The Town Tonight
















Albert Lee & Hogan's Heroes - On The Town Tonight - 2011

On The Town Tonight is a live, double CD from Albert Lee & Hogan's Heroes. Recorded live at The Tivoli Theatre, Wimborne, it features, as usual, Albert's trademark, Double-Grammy-award guitar picking. Albert is joined on lead vocals by Peter Baron and Gavin Povey, the new boy on keyboards. This two- CD package features a good deal of previously unrecorded and original material, along with new versions of some vintage Albert Lee songs and instrumentals. Albert started his life in music over 50 years ago, as a budding pianist and his piano playing skills come to the fore on Highwayman, Breathless, Let It Be Me, 'Til I Gain Control Again and Skip Rope Song. Gavin Povey is the featured vocalist on The World Is Waiting For The Sunrise and the self- penned Glory Bound and Peter Baron takes the lead vocal on I'll Never Get Over You, along with the Gary Brooker-Peter Sinfield song Leave The Candle and Lennon-McCartney's Oh Darling. Although no single track of these 25 should be overlooked, be sure not to miss Albert's scintillating guitar solos on both Billy Joel's Travellin' Prayer and Ray Charles' Leave My Woman Alone. 

Disc: 1
01. Your Boys
02. Restless
03. Song and Dance
04. Travellin' Prayer
05. Runaway Train
06. Glory Bound
07. Wheels
08. I'll Never Get Over You
09. The World Is Waiting For The Sunrise
10. Rad Gumbo
11. Highwayman
12. Breathless


Disc: 2
13. Barnyard Boogie
14. Two Step Too
15. I'm Coming Home
16. You're Only Lonely
17. Leave The Candle
18. On The Verge
19. Let It Be Me
20. Oh Darling
21. Leave My Woman Alone
22. 'Til I Gain Control Again
23. Country Boy
24. Skip Rope Song
25. Tear It Up


+@320 

sábado, 15 de janeiro de 2022

Rosko Gee & the Hooded Ones - My Name Is Fear


















Rosko Gee & the Hooded Ones - My Name Is Fear - 2016

The former bassist of the legendary bands Traffic, Can, or the Johnny Nash band, who worked with stars such as Marianne Faithfull, Al Di Meola, Steve Winwood, Phil Collins, Jaki Liebezeit or even Ozzy Osbourne, now finally dares to step forward, out out of the shadows, into the spotlight.
ROSKO GEE & THE HOODED ONES are highly experienced musicians who create together a mixture of jazz, pop and soul music, garnished with influences from modern classical, world music, culminating with elements of the avantgarde.

Whenever you think you may have finally discovered the category in which the band fits, you’re surprised anew. There is no real definition, not a genre a draw or a compartment to categorize - most likely an elective affinity in expressionism is recognizable. To say it with Adorno: the music finds its ideal in the immediacy of their expression, in their recording of the soul - "music is therapy!".
Rosko Gee, the musician with Jamaican roots, we know from his time as bassist of the german Harald Schmidt Latenight-Showband writes lyrics that are sustainable. Candid and poetic the charismatic singer, graceful, sensitive and effective intoned poetic lines, equipped at the same time with a highly valued recognizable voice.

The album "MY NAME IS FEAR", which was released in April 2016 by the Independent Label perfectzeromusic proves impressively the Latitude of the band and the perfection of the interaction between the musicians. Whether jazzy numbers like "Smile Back On Your Face" or "My Little Girls", the powerful, almost rocking "Love You Crave", or the sensitive measured psycho-trip "Xochitepec" - "MY NAME IS FEAR" convinces with each and every note
.
When asked what music meant to him, Rosko replied: "Music is a therapy. Music is always there when people are in need. That's what it's there for. That's why it's always been there."
It is time for this new form of therapy session! See ROSKO GEE & THE HOODED ONES live and experience the incredible power and the delightful passion of this extraordinary band.

01. It's Alright
02. Love Child
03. When You Are Near
04. Smile Back on Your Face
05. The Hawk and the Hare
06. My Little Girls
07. Quest for Rest
08. Love You Crave
09. My Name Is Fear
10. Volcano
11. Xochitepec

Rosko Gee - Vocals, Bass
Thomas Klees - Guitar
Uli Krämer - Drums
Jorge Meneses - Percussion
Josef Ferger - Keyboards

+@320

terça-feira, 11 de janeiro de 2022

Rolling Stone - Life And Death Of Brian Jones Soundtrack


















Rolling Stone - Life And Death Of Brian Jones Soundtrack - 2020

Life and Death of Brian Jones. The album features Brian Jones-related songs by Dick Taylor & The Red Squirls, Alabama 3, The Primadonna Reeds, The Proper Ornaments, among others. Also included is a track by the film’s composer John Roome

Rolling Stone: Life and Death of Brian Jones is directed by Danny Garcia and explores the rise of Brian Jones who emerged as “the face” and poster boy of the Bohemian Swingin’ London scene, topping the charts with The Rolling Stones and dating model/actress Anita Pallenber, as well as his untimely death.


01. 1969 - The Proper Ornaments
02. Ain't Nothing Here to Change My Mind - Greg ‘Stackhouse’ Prevost
03. Edith Groove - Dick Taylor & The Red Squirls
04. Dusted - Ray 'Sonic' Hanson’s Whores of Babylon
05. Riding the Dog - Deadbeat Poets
06. The Path of the Meeting - J.M. Baule
07. 14a Chestnut St. - Dick Taylor & The Red Squirls
08. Tighten It Rough - Steve Hooker
09. Brian - John Perry
10. (I'll Never Be) Satisfied -  Alabama 3
11. Brian Jones (The Real True Leader of The Rolling Stones) - The Bermondsey Joyriders
12. Glitter Girl - The Primadonna Reeds
13. Muddy Waters - John Roome


+@320

sábado, 8 de janeiro de 2022

John Lees - A Major Fancy (Deluxe Edition)


















John Lees - A Major Fancy (Deluxe Edition) - 1977

Born Oldham, January 13th, 1947. John had no formal musical education, but took up guitar when he was fourteen. Educated at Robin Hill Secondary Modern and Breeze Hill Comprehensive, John went on to study at Oldham School Of Art, where he met Woolly Wolstenholme in 1964. They played together in the Sorcerers, playing Eddie Cochran-style rock and roll, and in The Blues Keepers, before forming Barclay James Harvest in 1967. He recorded  A Major Fancy, in 1972, but this was tied up when the band changed record label and was not released until 1977. John’s musical influences include Eric Clapton, Bob Dylan, Joe Walsh and The Eagles.
 
CD 1
01. Untitled No.1 - Heritage
02. Child Of The Universe
03. Kes (A Major Fancy)
04. Untitled No. 2
05. Sweet Faced Jane
06. Witburg Night
07. Long Ships
08. Untitled No.3

CD 2
01. Untitled No.8
02. Child Of The Universe (First Version)
03. Witburg Night
04. Untitled No.2 (First Version)
05. Untitled No.1 - Heritage (Alternative Mix)
06. Best Of My Love
07. You Can't Get It
08. Please Be With Me
09. Child Of The Universe (Single Edit)



+@320

quinta-feira, 6 de janeiro de 2022

Pink Floyd - They Came In Peace, live, Leeds University 1970 Washington University 1971



















Pink Floyd - They Came In Peace, live, Leeds University 1970 Washington University 1971 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.

01. The Embryo
02. Careful with That Axe, Eugene
03. Atom Heart Mother
04. Set the Controls for the Heart of the Sun
05. Interstellar Overdrive
06. A Saucerful of Secrets
07. One of These Days

+@320

quarta-feira, 5 de janeiro de 2022

Pink Floyd - Over Bradford Pigs On The Groove Bradford University, live 10 Oct 1971


















Pink Floyd - Over Bradford Pigs On The Groove Bradford University, live 10 Oct 1971 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.


01. Careful With That Axe, Eugene 
02. Fat Old Sun
03. Set The Controls For The Heart Of The Sun
04. Atom Heart Mother
05. Echoes
06. Cymbaline
07. One Of These Days
08. A Saucerful Of Secrets
09. Blues


+@320

terça-feira, 4 de janeiro de 2022

Pink Floyd - Mauerspechte Berlin Sportspalast, live 5 June 1971




















Pink Floyd - Mauerspechte Berlin Sportspalast, live 5 June 1971 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.

01. Careful With That Axe, Eugene
02. Fat Old Sun
03. Embryo
04. Echoes
05. Set The Controls For The Heart Of The Sun
06. Cymbaline
07. A Saucerful Of Secrets
08. Astronomy Domine
09. Pink Blues

+@320

segunda-feira, 3 de janeiro de 2022

Pink Floyd - Live, Lyon 12 June 1971 / Tokyo 16 March 1972


















Pink Floyd - Live, Lyon 12 June 1971 / Tokyo 16 March 1972 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.


LYON - 20 June 1971
01. Set the Controls for the Heart of the Sun
02. Cymbaline 
03. Atom Heart Mother
TOKYO - 16 March 1972
04. Speak to Me
05. Breathe (In the Air)
06. On the Run
07. Time 
08. Breathe (In the Air) (Reprise)
09. The Great Gig in the Sky
10. Money 
11. Us and Them
12. Outroduction by Japanese DJ 

+@320

domingo, 2 de janeiro de 2022

Pink Floyd - Live In Montreux 18 & 19 Sept 1971


Pink Floyd - Live In Montreux 18 & 19 Sept 1971 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.

01. Echoes
02. Careful with That Axe, Eugene
03. Set the Controls for the Heart of the Sun
04. Cymbaline
05. Atom Heart Mother
06. A Saucerful of Secrets 

+@320

sábado, 1 de janeiro de 2022

Pink Floyd - Live In Rome Palaeur 20 June 1971


















Pink Floyd - Live In Rome Palaeur 20 June 1971 - 2021

Legendary rock band Pink Floyd has quietly released a treasure trove of 12 live albums on streaming services. The band hasn’t publicly commented on the recordings, all of which document its early ‘70s golden age period.

On Dec. 10, a commenter on a Pink Floyd fan site first posted about the recordings being dropped. All of the albums boast a copyright of Pink Floyd Music Ltd. It’s possible the British band is taking a similar strategy from artists like the Beach Boys, Beatles, and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law.

A rep for Sony told Rolling Stone back in 2013, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. With everything before that, there's a new 'Use It or Lose It' provision. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’”

To give an example of the provision: in 2012, Bob Dylan released a collection of limited-edition outtakes from 1962. If he had waited to release the collection, his recordings would have become public domain. Therefore, Dylan's label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden, and the U.K.

Pink Floyd likely released the EP 1965: Their First Recordings in 2015 because of the "Use It or Lose It" provision as well. The recordings later resurfaced in the band’s Early Years box set.

All of the concerts from Pink Floyd's new live albums occurred between 1970 and 1972. During that period, the band released: Atom Heart Mother (1970), Meddle (1971), and Obscured by Clouds (1972). Since the band began playing songs from Dark Side of the Moon prior to its release, one recording - a March 1972 Tokyo gig - features a near-complete performance of that LP in sequence.

 
01. Atom Heart Mother
02. Careful with That Axe, Eugene
03. Fat Old Sun 
04. The Embryo
05. Echoes
06. Set the Controls for the Heart of the Sun
07. Cymbaline
08. A Saucerful of Secrets
09. Astronomy Domine


+@320