sábado, 30 de julho de 2022

VA - Song Of a Young Country (The New Zeland Story in Song)


















VA - Song Of a Young Country (The New Zeland Story in Song) - 1971 (RE 2010)

FROM www.audioculture.co.nz 
In 1971 singer, composer and folksong collector Neil Colquhoun released a concept album of songs by – or re-creating the experience of – the Pakeha pioneers of the 19th century. Among the writers were Colquhoun, Phil Garland, Rudy Sunde and many by unknown early settlers, collected in the 1960s. The multi-artist double LP on Kiwi Pacific Records received renewed attention in 2009 when it was included by Nick Bollinger in his 2009 book 100 Essential New Zealand Albums (Awa). 

The 1971 album was followed a year later by an accompanying songbook, Song of a Young Country (Reed); this was re-released in 2010, in a lavish production by Steele Roberts.

Whether sung, played, read or listened to, the songs in this influential New Zealand folksong compilation and songbook provide insight and human colour to the bare facts of our collective past.

Music and vocalising have been in fluid evolution ever since the first humans slapped a leathery foot on a hollow rock, knocked a tree with a stick and it made a pleasing sound, or mimicked the cadences of birdsong and the rutting noises of animals to attract them on a hunt.

Millennia on from then, there are multiple music styles and labels. Folk music is one of many. This has been blending, hybridising or diverging since Woody Guthrie sang about the Depression and since the folk revival of the sixties when Joan Baez, Joni Mitchell and Bob Dylan sang out in protest; when civil rights marchers chorused aching spirituals about injustice, and since Odetta or Buffy Sainte-Marie told it like it was.

The 2010 reissue of the Song of a Young Country anthology



In New Zealand, folk clubs around the country host the works, from bluegrass, American urban blues, old-time country and Celtic stylists to Euro gypsy jazz, jug bands, a cappella harmony groups and soloists playing covers and originals.

The clubs also have a solid core of traditionalists who enjoy what they consider the “real” Kiwi folk music; that is, the songs, sea shanties, old ballads and work chants sung or recited by the people at the birth of these islands as a Treaty-formalised Crown-Māori nation. They were the sailors, sealers, wives and whalers, adventurers, bushmen and the like, who sang out their joy, humour, or misery during their hard-slog work and after hours; about bully bosses and fair blokes, madams and murderers, hardships underground and weird happenings above; about social milestones, triumphs, shipwrecks and other disasters.


01. John Smith A.B
02. On Whalemen
03. Soon May The Wellerman Come
04. Blood Red Roses
05. From England
06. Little Tommy Pinkerton
07. Altered Days
08. Black Velvet Band
09. Rise Out Your Bed
10. Banks Of The Waikato
11. A Drover
12. Dug-Out In The True
13. The Mill
14. Gum Digger Letter
15. Song Of The Digger
16. Black Swans
17. As The Black Billy Boils
18. Gold Rush
19. Tuapeka Gold
20. Wakamarina
21. Murderers Rock
22. McKenzie And His Dog
23. Paheha Land-Takeover
24. Te Kooti E Ha
25. Livestock
26. Rerenga's Wool
27. On The Swag
28. My Man's Gone
29. Talking Swag
30. The Sweater Prelude
31. The Sweater
32. Run For Your Life
33. Day The Pub Burned Down
34. Union Worker
35. Cargo Workers
36. Railway Bill
37. Down In The Brunner Mine
38. Hundred & Fifty-One Days
39. Gutboard Blues


+@320

quarta-feira, 27 de julho de 2022

Fred van Zegveld - Dynamite


















Fred van Zegveld - Dynamite - 1969

Fred van Zegveld became known as the organ player of a charting Beatlesque group called Roek Williams & The Fighting Cats, though they changed their name into Roek's Family on the day Fred joined them in 1968, ready for their biggest hit Get Yourself A Ticket in '69.

1969 must have been a busy year for him, because Van Zegveld was also a member of a group called The Flood that year, together with two musicians that also played in Roek Williams's group: Richard de Bois on bass (who became a top producer ten years later, for amongst others The Dolly Dots) and Will Luikinga on sax and flute (who became a famous dj on Radio Veronica afterwards).

Van Zegveld's only solo album "Dynamite" shows his love for Booker T & The MG's, Jimmy Smith and such, though most of the tracks on it are his own compositions.

01. Family Blues
02. Here, There And Everywhere
03. Daffodil
04. Blue Organ
05. Dynamite
06. Misty
07. Whiskey
08. Round About
09. I Wanna Be Your Man

Fred van Zegveld - Hammond
Rick Beekman - Guitar
Louis de Bey - Drums
Ruud Jacobs - Bass
 


+@320

sexta-feira, 22 de julho de 2022

2nd Vision - Firsts Steps (REPOST)


2nd Vision - Firsts Steps - 1980
 
from wikipedia
2nd Vision was a British jazz-rock band notable for including guitarist John Etheridge and violinist Ric Sanders, both former members of Soft Machine. It released the album First Steps, which has been re-released on Blueprint Records (Voiceprint Group) in 2006.

The roots of 2nd Vision were sown in 1977 when Sanders invited keyboard player Dave Bristow and drummer Mickey Barker, both of whom he'd already played with in his Birmingham days, to form an improvising unit named Surrounding Silence, which debuted at the Riverside Jazz Festival in August 1977.

After Etheridge and ex-Gryphon bassist Jonathan Davie joined them, the band, renamed 20/20 Vision, played a well-received gig at the Alexandra Palace in May 1979. The band were offered a management deal by Jo Lustig, who had already represented the likes of Richard Thompson, Pentangle and the Chieftains, and signed with Chrysalis, recording their debut LP in the autumn of 1979, with John Cameron producing. The material was composed by either Sanders or Bristow, with Etheridge contributing one piece, a new version of his Soft Machine solo acoustic guitar piece "Etika".

"It was a jazz-rock group, in the mould of Weather Report, Mahavishnu, that kind of things", Etheridge remembered. "The one album we made was a very good record. It sounds dated now of course, because it was done using the Yamaha CS-80... But of all the records that I've made, it's the one that the most trouble was taken over making. I was very pleased with the guitar on it, we took a lot of time to do it. I was quite happy with that... But this was in the late 70's, so it was all punk and new-wave...".

The album was launched with a four-night residency at London's Riverside Studios in Hammersmith on May 7–10, 1980, with a different guest (Richard Thompson, Gordon Giltrap, Jethro Tull's David Palmer, June Tabor) joining the band each night. Unfortunately, all the British music papers went on strike for several weeks, so there was almost no coverage of the event, and the album failed to sell. 


01. Ice Bells
02. Dancing Circle
03. Putting Out The Bish
04. August 4
05. First Steps
06. Even In Sadness
07. Star Dance
08. Coanda
09. Wynsmead

John Etheridge - Electric & Acoustic Guitar
Ric Sanders - Violin
Dave Bristow - Piano, Electric Piano & Synths
Jonathan Davie - Bass
Micky Barker - Drums, Percussion





NB: It was originally titled First Steps, and was by Second Vision. When it was reissued in 2000, it was re-titled "Second Vision"  and listed as being by John Etheridge and Ric Sanders.

 +@320

quarta-feira, 20 de julho de 2022

Mountain - Official Live Mountain Bootleg Series - Volume 16 - 2006 (Re-Post)


















Mountain - Official Live Mountain Bootleg Series - Volume 16 - 2006

The performances contained on the Mountain Bootleg Series are drawn from various stages of the bands career from the very early years when the band first formed through to recent gigs undertaken by the band. All the performances come from the personal archives of both Leslie West and Corky Laing and whilst some of the performances are not sonically perfect the quality of the performances are never in question and as Corky Laing says “Some of the performances are real interesting”. I couldn’t have said it better myself.

This is the latest release in the ongoing Mountain Official Bootleg Series and was recorded in Arizona in 1982. At this time in the bands history the band were re establishing themselves o the American touring circuit and the set list is geared to reminding the audience what a potent live force the band were. The set list contains the Mountain classics Nantucket Sleighride, Mississippi Queen and also a cover of the Rolling Stones song Honky Tonk Women which Leslie West had covered for his Great Fatsby album in the 1970’s whilst the band was between record deals. The performance does however contain the Mountain classics including Nantucket Sleighride and Mississippi Queen.



01. Tune Up / Never In My Life / Goin' Down
02. Theme For An Imaginary Western
03. Jam Intro / Third Degree
04. Nantucket Sleighride / Hall of the Mountain King
05. Mississippi Queen
06. Honky Tonk Women
07. Apolitical Blues.


+@320 new LINK with 7 tracks :)

domingo, 17 de julho de 2022

Neil Merryweather & Lynn Carey - Vacuum Cleaner















Neil Merryweather & Lynn Carey - Vacuum Cleaner - 1971

Canadian bassist/vocalist Neil Merryweather relocated to Los Angeles in the late 1960s and hooked up with the singer, actress and future Penthouse pet, Lynn Carey. They would find greater fame upon forming the band Mama Lion in 1972, but Vacuum Cleaner captures th prototype of the group on this collaboration cut the year before, after RCA signed them as a duo.

Merryweather’s bass is a solid anchor and his harmony and musical arrangements help keep everything in place; Canadian keyboardist JJ Velker adds atmosphere, but it is Carey’ powerful voice that really drives this hard rockin’ beast, gleaning comparisons with Janis Joplin

01. Livin' In The U.S.A.
02. Let It Shine
03. So Fine
04. Few & Far Between
05. No Worries
06. If I Were You
07. 1/2 Introduction To Second Side By Kim Fowley
08. Shop Around
09. Sugar Man
10. Can I Set A Witness
11. Five Days On The Trail
12. Captain Terrific
13. Get Straight With Your Brothe

Neil Merryweather - Bass, Vocals
Lynn Carey - Vocals
John Richardson - Guitar (10)
Kal David - Guitar
Robin Boers - Drums
Coffi Hall - Drums, Percussion
J. J. Velker - Organ
Sidney George - Sax



+@320