domingo, 30 de novembro de 2014

Western Electric - Western Electric - 2000


















Western Electric - Western Electric - 2000

from Fame Review

Defining sub-genres like folk-rock is often more complicated than stating the obvious: folk-rock is folk music performed on rock instruments. Many factors, including styles of harmony and layered guitars, contribute to the folk-rock sound, but many people would hark back to Fairport Convention, Pentangle, and Bob Dylan, to define what folk-rock should or shouldn't be. Western Electric's self-titled debut includes ringing guitars, soaring harmonies, and pedal steel to create folk-rock that reaches back to the 60's while developing its own sound.

The defining element of Western Electric's sound is Rob Childs' and Neil Robert Herd's pedal steel playing. It is prominent on almost every song, but it doesn't overwhelm the listener with its presence (call it the dominant sound within the tapestry). It's laid-back, similar in style to the steel work on early Steely Dan albums (Can't Buy a Thrill and Countdown to Ecstasy). One might think that the presence of the pedal steel would create a country or country-rock sound, but the expansiveness of the playing and the structures of the songs never suggest anything remotely country.

If the style of music often suggests that its roots lie in the 60s, the lyrics go even further to create that impression. The songs are overtly romantic, often about love or lost love. This undoubtedly reflects Sid Griffin's sensibility, since he is - both alone and with others - the primary songwriter on this album. When I'm Out Walking With You is an unabashedly happy love song. Griffin uses pastoral images of the sun and corn, of country lanes and friendly farmers, to paint the beauty of the moments the couple spend together. Emily In Ginger, also by Griffin, is a darker love song, filled with unsettling (and somewhat violent) imagery. The pedal steel floats above a steady percussion to create a dream that glides effortlessly for over seven minutes.

This same dreamlike trance is replicated on Whirlwind, a seven-plus minute song of love lost by Griffin and Elliot Murphy. On first listen, the leisurely pace can almost lull the listener into allowing the music to fade into the background. A similar "relaxed" pace repeats itself on 10-4 (Pat McGarvey) and Carousel Day" (Sid Griffin and Pat McGarvey). One may be reminded of the leisurely pace found on certain cuts of late 60s and early 70s rock albums like In the Court of the Crimson King and Dark Side of the Moon. Like these albums, even Western Electric's darker lyrics remain romantic.

Even the one non-band member song, Straight From The Heart, written by Gene Clark and sung with the help of Robyn Hitchcock, fits into the band's lyrical and musical vision. Clark's song also helps to certify Western Electric's folk-rock credentials. Fans of Sid Griffin will also know of his former band, the Coal Porters (who recorded a live Parsons' tribute). Four members of the Coal Porters, Griffin, McGarvey, Bob Stone, and Rob Childs, are also members of Western Electric.

Western Electric's experienced band members have created a layered sound and a strong first release. It should appeal those who have a strong pull toward the more expansive rock of the mid-to-late 60s and early 70s. To some, the lyrics and happy soaring vocals will clash with modern, and perhaps more cynical sensibilities, but there should already be numerous bands with dour lyrics to please that crowd. For those who haven't become hopelessly cynical, Western Electric's debut will offer a refreshing change of musical scenery.

01. Everything
02. The Power Of Glory
03. When I'm Out Walking With You
04. Emily In Ginger
05. 10-4
06. Faithless Disciple
07. Whirlwind
08. Memory Captures Time
09. Carousel Days
10. Straight From The Heart
11. Theme From Western Eletric
12. Love You Down
13. Emily in Ginger (dub mix)
14. Sweet Young Thing
15. Keep on Chooglin'
16. When You Find Out
17. So You Got A Lover
18. Emily In Ginger (single mix version)

version with 18 tracks (originally released with 10 songs)






+@192

sexta-feira, 28 de novembro de 2014

Head West - Head West (with Bob Welch) (repost)


















Head West - Head West - 1970

Head West foi uma banda baseada em Paris, França e hoje ela é conhecida por abrigar o vocalista e guitarrista Bob Welch, que esteve com o Fleetwood Mac a partir de 1971. Tanto que este álbum foi relançado mais tarde como sendo mais um dos discos da carreira solo do guitarrista, adquirindo o nome de "Bob Welch with Head West" (mais um exemplo de honestidade e respeito pelos músicos). A banda tinha ainda  Bobby Hunt nos vocais e orgão e Henry Moore na bateria e vocais.

Bob Welch


Bob Welch, que desfrutou de uma carreira solo de sucesso, morreu ontem (* jun/07/2012),  quinta-feira, aparentemente cometendo suicídio em sua casa em Nashville. Aos 66 anos e sofrendo de problemas de saúde não revelados, ele deixou um bilhete de despedida que foi encontrado junto a seu corpo por sua esposa.

Para Mick Fleetwood, que era seu agente durante a carreira solo, a notícia de sua morte foi "incrivelmente contraditória", pois, segundo ele, o guitarrista era um ser humano inteligente e sempre o encontrava de bom humor.

A morte dele junta-se à de outro ex FM, Bob Weston, ocorrida em janeiro.


01. Head West
02. People
03. Hurry Up
04. Changes
05. Tired of Hangin' On"
06. Faces
07. Attention
08. Czar
09. Someday
10. Straight Down
11. Starchild
12. Costalarico
13. Victória (Bonus Track)

Bob Welch – Vocals, Guitar, Bass
Robert Hunt – Vocals, Organ
Henry Moore – Vocals, Drums, Percussion

+@192

* originalmente postado em jun/08/2012

terça-feira, 25 de novembro de 2014

Gayle McCormick- Gayle McCormick (RE-POST)


















Gayle McCormick- Gayle McCormick- 1971

from wikipedia
Gayle McCormick was born in St. Louis on the 26th of November 1948. Gayle attended Pattonville High in St. Louis and sang high soprano with the Suburb Choir, a 150-voice unit that performed annually with the St. Louis Symphony. Her recording and performing career stretched from 1965 to 1976. McCormick had started her career singing songs by Tina Turner and Etta James.

In 1969 Smith was formed in Los Angeles, California, their first album entitled "A Group Called Smith," featured Gayle McCormick as the primary vocalist. Smith mainly played and recorded covers of pop and soul songs and made the top ten with a remake of "Baby It's You", a previous hit for The Shirelles, was also featured in Quentin Tarantino's Grindhouse film Death Proof.

After the group disbanded, McCormick went on to record three solo albums. In the fall of 1971, her performance of "It's A Cryin' Shame" charted at #44.

01. It's A Cryin' Shame
02. Superstar
03. C'est La Vie
04. Natural Woman
05. You Really Got A Hold On Me
06. Rescue Me
07. If Only You Believe
08. Save Me
09. Everyting Has Got To Be Free
10. Gonna Be Alright Now





+@320 (CD reissued 2008)

domingo, 23 de novembro de 2014

Gayle McCormick - Flesh & Blood


















Gayle McCormick - Flesh & Blood 1972 

Flesh And Blood é o segundo album solo da ex-vocalista da Smith. Lançado em 1972, da sua discografia solo é o mais Funky e, basicamente, R&Blues. Bem diferente do seu primeiro (já foi postado aqui) que é essencialmente pop.

Embora a capa do disco possa sugerir algo vulgar e ordinário, com a clara tentativa do mainstream (no caso Decca/MCA) de transformá-la na putinha da hora, é um disco muito bom, indispensável pra quem curte clássicos da R&B, Soul, Funky.

Outra coisa: Pra quem já tem e pegou em um rip horrivel cheio de estalos que roda pela net, vale a pena pegá-lo novamente. Esse, embora também de vinil (já que nunca foi relançado em CD), passou por uma espécie de WikiTeacher remaster (kkkkkk) e está - digamos - nota 7.0. 

01.Take Me Back    
02.Near You    
03.Sweet Feeling    
04.Knight In Shining Armou    
05.Stay With Me    
06.Flesh And Blood    
07.Whoever's Thrilling You Is Killing Me    
08.Make Myself Over    
09.Grey Live Tour    
10.Alabam    

Gayle McCormick - Vocals
Stan Seymore - Guitar
Frank Collette* - Keyboads
Ray Neopolitan - Bass
Maurice Miller - Drums





+@192